The Cambridge Companion to Ibsen (Cambridge Companions to Literature)

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Ackerman, Robert. The Myth and Ritual School: J. Frazer and the Cambridge Ritualists. Theorists of Myth. Google Scholar. Anderson, Mary Elizabeth. London: Palgrave Macmillan, pp. Arlen, Shelley. Cornford, and Arthur Bernard Cook. Metuchen, N. Artaud, Antonin.

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The Theater and Its Double. Barber, Karin. The Anthropology of Texts, Persons, and Publics. Oral and Written Culture in Africa and Beyond. Cambridge: Cambridge University Press. Bartsch, Shadi. CrossRef Google Scholar. Beacham, Richard C.

The Roman Theatre and Its Audience. London: Routledge. Bial, Henry and Scott Magelssen. Theater Historiography: Critical Interventions. Ann Arbor: University of Michigan Press. Oxford: Oxford University Press.

The Cambridge Companion to Ibsen (Cambridge Companions to Literature)

Blackadder, Neil Martin. Bocock, Robert. Bourdieu, Pierre. Distinction: a Social Critique of the Judgement of Taste. Bourriaud, Nicolas. Relational Aesthetics. Bratton, J. New Readings in Theatre History. Theatre and Performance Theory. Calame, Claude. Cambridge: Cambridge University Press, pp.

Calder, William M. Illinois Classical Studies. Supplement; 2. Atlanta, Georgia: Scholars Press. Carlson, Marvin A. New York: Bloomsbury Methuen Drama. Cartledge, Paul. In Patricia Elizabeth Easterling ed.

Chothia, Jean. English Drama of the Early Modern Period, — , first edition. London: Longman Publishing Group.

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Connerton, Paul. How Societies Remember. How Modernity Forgets. Csapo, Eric. Actors and Icons of the Ancient Theater. Chichester: Wiley-Blackwell. The Origins of Athenian Drama.

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Csapo, Eric, and William J. The Context of Ancient Drama. Helen Julia Minors. London: Kingston University. Davis, Jim. New Theatre Quarterly. Davis, Jim, and Smythe, Patricia. Nineteenth Century Theatre and Film. YouTube Channel. Cambridge companions to literature. On Shelf. CMC Steamboat Campus. Quick Copy View. I Z Place Hold. Add To List. Arthur Miller is regarded as one of the most important playwrights of the twentieth century.

His work is performed and studied around the world and this Companion provides an introduction to this influential dramatist. In addition to analyses of Miller's plays, including All My Sons, Death of a Salesman, and The Crucible, his work is also placed within the context of the social and political climate of the time.

The impact of the Depression, the Holocaust, and McCarthyism are explored in light of the plays, and the contributors also discuss Miller's fiction and work in film. The volume closes with a bibliographic essay which reviews the key studies of Miller. It also contains a detailed chronology of Miller's work and illustrations from important productions.

Also in This Series. Colorado Mountain College. Substantial chapters account for Ibsen's influence on the international stage, including an interview with ex-RSC director John Barton and an essay by Arthur Miller exploring Ibsen's challenge to contemporary theater and film. Essential reference materials include a full chronology, list of works, and essays on twentieth-century criticism and further reading.